Music review : Michael Jackson family today and his top songs: But the biggest surprise of all may be the two tracks from 1997’s completely ignored Blood on the Dance Floor remix/mixed bag, the proto-Lady Gaga theater of “Blood on the Dance Floor” and the nearly P.E.-discordant “Ghosts” injected with new life in such A-list company. The consistent click of the new jack-inspired funk rhythms and total lack of ballads really do add up to a decent Halloween party with a consistent feel and steely momentum. Absurd as the package and its very existence are, it’s not misbegotten; you can hear the function it serves and the holiday conceit makes it fairly possible to imagine someone picking it up at Wal-Mart at the last minute along with their candy and decorations rather than going to the trouble to sort out a playlist. The bar for this sort of cash-grab is low enough that Scream clears it rather easily. It is in fact a scream, and it makes a case to revisit Jackson’s lesser works even as it cherry-picks from them. That’s almost enough to recommend plunking down cash for it. Almost.
On the afternoon of June 25th, you couldn’t walk across the street without hearing “Billie Jean” or “Don’t Stop ’til You Get Enough”. Everyone heard the news and they turned to the guy’s discography. Since a great deal of the population didn’t own the records anymore – or, as many of you born in 1984 probably experienced, were forbidden to listen to ’em around the early ’90s – places like Best Buy and/or iTunes witnessed a spike in sales. Within a month, any financial troubles Jackson had left behind were a thing of the past. What’s more, much like the rest of the population, record companies re-discovered his talent again, too. Big whigs signed contracts, projects were penciled in, and products were shipped left and right. Admittedly, and looking back, it’s one of the most impressive comebacks a musician’s ever had – if only it weren’t laced in so much tragedy. Then again, death’s also tricky.
Off the Wall (1979): The debate to definitively name Michael’s greatest album will rage until the end of time and Off the Wall makes a strong, strong case for the crown. Coming off his star-making role in The Wiz, MJ capitalized on that momentum with an album that turned the music industry on its ear. MJ’s brand of pop soul (with a dash of disco) created an ENTIRE ALBUM of timeless tracks – almost 40 years later, they still burst with boundless energy. Off the Wall is the very definition of a classic album – it revolutionized the music industry. But Michael topped it just three years later. Forgotten Favorites: No such thing as a “forgotten favorite” here but go with “Working Day and Night,” “Girlfriend” and “It’s the Falling In Love”.
Michael Jackson family: Mocienne Petit Jackson’s (Michael Jackson’s daughter) books are now available in french! For our french readers: La deuxieme partie de l’autobiographie en trois parties de Mocienne Petit Jackson commence par une description detaillee de l’enlevement de Mocienne et de sa vie aux Pays-Bas (Le Cote Sombre des Pays-Bas – Mocienne Petit Jackson). Par la suite, le recit nous devoile comment se deroule sa vie avec sa famille adoptive, chez qui elle reste en compagnie de la cousine Delivrance. Petit a petit, elle decouvre que son vrai pere est Michael Jackson. A l’age de 15 ans, elle quitte sa famille adoptive et vit dans un internat pendant 4 ans, avant de s’installer vivre toute seule. Nous la suivons tout au long de son adolescence et de son entree dans la maturite, ce qui n’a pas toujours ete facile. Mocienne rencontre un homme avec lequel elle a un enfant. Cependant, cet engagement ne dure pas. Nous en apprenons davantage sur les problemes qu’elle rencontre avec les Services de Protection de l’Enfance, suivis de nombreuses affaires judiciaires. Au debut, celles-ci portaient sur sa propre personne, plus tard, elles se transforment en bataille pour la garde de son fils. Une situation inacceptable prend le relais d’une autre situation inacceptable. Nous sommes egalement mis au courant de nombreux evenements traumatisants vecus par le personnage principal, de ses depressions et de ses nombreuses luttes pour faire face a la misere impregnee dans sa vie et a son combat pour s’en debarrasser. L’auteur explique clairement ces luttes a travers de vifs flashbacks.