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Top rated Indian sarees shopping: Red is the most favoured colour for wedding saris and is a traditional garment choice for brides in Indian culture. Women traditionally wore various types of regional handloom saris made of silk, cotton, ikat, block-print, embroidery and tie-dye textiles. Most sought after brocade silk saris are Banasari, Kanchipuram, Gadwal, Paithani, Mysore, Uppada, Bagalpuri, Balchuri, Maheshwari, Chanderi, Mekhela, Ghicha, Narayan pet and Eri etc. are traditionally worn for festive and formal occasions. Read extra details at https://silkpetalss.com/product-category/sarees/.

Kanjeevaram silk saris originate from Kanchipuram, a temple town in Tamil Nadu, and use a special weaving technique that makes the sari last for generations. The saris have contrasting bright colours with designs of the border and the pallu being different from the body of the sari. The sari has golden weaves and bold, colourful motifs like flowers, peacocks and elephants, says 71-year-old Deepa Sharma from Delhi, who owns Arankri, a 30-year-old establishment that curates handcrafted saris. The Baluchari saris from West Bengal incorporate designs based on mythological stories from the great Indian epics, the Ramayana and the Mahabharata.

The word “sari” means “strip of cloth” in Sanskrit. But for the Indian women—and a few men—who have been wrapping themselves in silk, cotton, or linen for millennia, these swaths of fabric are more than just simple garments. They’re symbols of national pride, ambassadors for traditional (and cutting-edge) design and craftsmanship, and a prime example of the rich differences in India’s 29 states. “The sari both as symbol and reality has filled the imagination of the subcontinent, with its appeal and its ability to conceal and reveal the personality of the person wearing it,” says Delhi-based textile historian Rta Kapur Chishti, author of Saris of India: Tradition and Beyond and co-founder of Taanbaan, a fabric company devoted to reviving and preserving traditional Indian spinning and weaving methods.

Every once in a while, we come across a sappy wedding post that shows the bride in her grandmother’s saree, which she wore as a tribute to her well-kept saree wardrobe. Saree, a nine-yard wonder, is not just a relic of our shared history but also has roots deep in Indian society. Its existence can be traced back to the scriptures of Jain and Buddhist texts, with the sari originating from the word sattika. It is a three-piece ensemble consisting of the Antriya, the lower garment; the Uttariya, a veil worn over the shoulder or head; and the Stanapatta, which is a chest band.

Silk Petalss was born from a career Investment Professional’s love for the rich heritage of Indian handcrafted textiles and artefacts. Her admiration for the beautiful heritage weaves and products saw her travelling widely through interior villages and towns of India, interacting with the weaving community and understanding their perspective and concerns. Awareness about their issues, specifically post Covid19, the need to protect the community and our rich heritage led to Silk Petalss being created. Read additional information on silkpetalss.com.

After moving to Hong Kong, I started wearing the saris that my mother had given me as a part of my wedding trousseau. Hand-woven saris from different parts of India – the brocaded Banarasi from Varanasi, the pure silk Kanjeevarams from Tamil Nadu, the Paithani from Maharashtra and so many more. The sari gives me a sense of belonging, says Bangalore-based perfumer Ahalya Matthan, who in 2016 founded The Registry of Sarees, a research and study centre for handspun and handwoven saris in India.