The rise of an American record producer : Jonathan Brightman

Jonathan Brightman or the growth of an American songwriter? What music are you listening to at the moment? Are there any local bands that we should be listening to? Jonathan Brightman: At the moment I have the Beatles Abbey Road playing. There’s a great local band called Goldsboro. A few guys from the band Orson’s new project. It’s great stuff. I was hoping to catch you in LA last year, but you weren’t playing a lot of dates. Will you be touring this year? Jonathan Brightman: We hope to at least hit some territories in Europe this summer. Touring in the U.S. has gotten really political. For example, bigger bands are now doing this thing called “buy ons”, which is basically charging their opening band to get added to the bill. It’s rotten.

Jonathan Brightman and Buckcherry: Josh Todd grew up in the Anaheim Hills neighborhood of Anaheim, California and later moved to Lake Forest, California. Early on, Todd fronted the Hollywood glam rock band Slamhound. He eventually met lead guitarist Keith Nelson through their tattoo artist (Kevin Quinn). The duo made a few demos before being joined by bassist Jonathan Brightman and drummer Devon Glenn, calling themselves Sparrow. Sparrow began performing around the Hollywood club scene, receiving a strong, local following due to their old school rock and roll vibe, and were signed to DreamWorks Records shortly after. The group changed its name to Buckcherry after receiving a cease-and-desist letter from a record label called Sparrow (owned by EMI). Although the band’s name is a spoonerism of the late Chuck Berry, the group said it was inspired by a drag queen acquaintance of theirs named Buck Cherry.

Black Robot is a California-based hard rock band formed in 2008 by bassist Jonathan Brightman (JB). Brightman recruited Detroit-bred front man Harold Johns on vocals and Black Robot recorded their debut in 2008 with Grammy winning producer Dave Cobb (Chris Stapleton, Shooter Jennings, Rival Sons). Former Buckcherry alumni Devon Glenn & Yogi Lonich and legendary keyboard session player Fred Mandel (Queen, Alice Cooper, Pink Floyd) make guest appearances on the album. In 2009, guitarists Andy Andersson & Staffan Österlind and former Hot Sauce Johnson / Rumblefish / Earshot drummer Possum Hill were added to the line-up. The band has been described as a “new powerhouse” and “good ol’ rock ‘n’ roll influenced by acts like Led Zeppelin, AC/DC, Black Crowes and the Rolling Stones”

You sound like all of my favourite bands mashed up; there’s AC/DC, Zeppelin, Black Crowes and The Stones. How would you describe your sound? Jonathan Brightman: I like to just call it Modern Classic Rock. Imagine intercepting rock and roll right where it was before things got awful in the music business and continuing from that point. Right before Nirvana perhaps. All though I love Nirvana it spawned some real shit. And I am still baffled about how Limp Bizkit sold millions of records. Hahahaha.

Over the past years Brightman Music has been a top Producer Management firm based in Southern California with a presence in New York City and Nashville, Tennessee and London, England. We represent some of the recording industry’s most highly recognized award winning producers, mixers, songwriters and engineers as well as tomorrow’s game changers. We hold a unique emphasis and proven track record on the discovery and development of groundbreaking chart-topping new artists. Our clients work with artists and record labels, big and small from every corner of the globe. We celebrate musical diversity and support artists of all genres. Discover extra details at Jonathan Brightman.

The reason Yogi and Devon aren’t on the record is because Yogi went on tour with Chris Cornell and couldn’t be at two places at the same time, he needed to work and I couldn’t say don’t take the gig. Devon had gotten married and started his own business; his priorities in his life were different. I understood where he was coming from. It came down to this — they weren’t in a place to do it and I couldn’t wait until they could, or would, do it. I needed to make this record. I’ll clarify, this was a vision that was Huck’s and mine. This wasn’t going to be a band, we needed to get these song recorded and if it was good we’d release them.