Audio plugins online shopping from bluetechaudio.com? One of the more obvious ways to make a sound yours is to layer sounds together. Software such as Reason, with its great Combinator, makes layering a lot more creative, so explore all of your blending options. However, layering can be as easy as loading in a couple of audio files and playing them together – although be sure to be creative in your EQing, so that they blend together, rather than just play at the same time. While you’re undergoing this reverse-engineering process, you’ll hear something great along the way that you can call your own, and crucially, you’ll learn a great deal about the synth into the bargain.

In certain situations (like mixing sound for films), it’s better to mix at the same level and similar environment to where the film will eventually be heard. This is why film dubbing theaters look like actual cinemas and are designed to essentially sound like them too. The best mixes result from taking the end listener and their environment into account, not necessarily mixing something that only sounds great in a $1 million studio. So, how do our ears’ sensitivity to the mid-range manifest on a practical level? Try playing back any piece of music at a low level. Now gradually turn it up: As the level increases, you might notice that the ‘mid-boost’ bias of your hearing system has less of an effect, with the high- and low-frequency sounds seeming proportionally louder (and closer, which we’ll go into in the next tip).

Obviously, this is a pretty undesirable ‘phenomenon,’ and it’s one of the main things to be aware of throughout the whole writing, recording, and mixing process. It’s also one of the main reasons EQ was developed, which can be used to carve away masking frequencies during the mixing stage. Our audio trick? Avoid masking problems during the writing and arranging stages by using notes and instruments that occupy their own frequency ranges. Even if you’ve taken precautions, masking will still sometimes occur at the mix, and it’s difficult to determine why certain elements sound different solo than they do in the full mix. Although the root notes/dominant frequencies of the sound have the space they need, the sound harmonics (that also contribute to the overall timbre) appear at different frequencies. These may still be masked, which is a point where EQ might come to the rescue. Find additional info on Midi plugins.

Now let’s talk about the Saturation Effect. This is when you raise the volume of your audio which simultaneously affects the next device’s ability to handle the volume. The effect is a distorted effect on louder parts of the sound while softer parts of the sound are left untouched. This is an auditory behavior which acts like a compressor, but it is much more punishing. When sound designing , it can add more spice and fatness to your sounds. Adding too much saturation to a sound can get messy and mushy. Just experiment until your desired result is achieved.

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